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Comment on Birthday Musings 12/19/15 by Jill Freedman

Happy birthday you old fart, and long may you wave. I paid for a month of yoga last year and never went. Walked on the opposite side of the street, in fact. Same with a gym. so hats off. and i am in...

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Comment on Year-End Ends and Odds by Charles Jeffrey Mintz

Allan, Best wishes on the end of what has been a very good year. What caught me in this post was the telescope. Not the ELT but it brought to mind the Hubble. A great story since it began as complete...

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Comment on Year-End Ends and Odds by Daniel D. Teoli Jr.

I wrote the National Coalition Against Censorship and offered donated prints if they put on a charitable art fundraiser. Artists generally don’t have lots of money to donate, but they may be willing to...

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Comment on 2015: That Was The Year That Was by Colleen Thornton

As always, a job very well done! May 2016 be the best year yet for all your endeavors. Cheers, Colleen

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Comment on 2015: That Was The Year That Was by Daniel Teoli, Jr.

If you want more page views, you need to put more sex in your posts.

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Comment on 2015: That Was The Year That Was by Lauren Piperno

Bravo. Look forward to your future coverage ... 2016 and beyond.

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Comment on Film the Police (3) by Mathilde Fischer

Right on the button, Allan! May I publish your letter on FB with a link to photocritic.com? Mathilde Fischer

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Comment on Film the Police (3) by A. D. Coleman

You and other readers are always welcome to distribute my posts via social media, link to them in your own posts, and otherwise enlarge their readership.

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Comment on Film the Police (3) by Daniel D. Teoli Jr.

Excuse me…I thought you were a nigger. That was what the white cop said to white photog Spider Martin lying on the ground after he bashed him in the head with his baton while Spider was covering the...

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Comment on Film the Police (3) by Stephen Perloff

Allan, Brilliantly done. Bravo. Stephen

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Comment on Because It Feels So Good When I Stop, 2 (1974) by Cary Wasserman

I realize this 1974 column is practically ancient history, Allan, so my comment may no longer be applicable, but I was with you up to and following, but not including the remark about Karsh, from an...

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Comment on Because It Feels So Good When I Stop, 2 (1974) by A. D. Coleman

I’d have go digging in the files to extract the Karsh review that I paraphrased in that passage. It was certainly a short review, 3-4 paragraphs at most, published in their “Shows We’ve Seen” column....

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Comment on Because It Feels So Good When I Stop, 2 (1974) by Daniel D. Teoli Jr.

A.D…you hit the nail on the head when you wrote ‘why don’t you get a photog to be the photog critic.’ I go over the why of this phenomena that seems to baffle you in this post....

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Comment on Because It Feels So Good When I Stop, 2 (1974) by A. D. Coleman

You seem to have missed the point completely. The fact that photographers “don’t respect critics that can’t produce good photos” simply makes it clear that they don’t read criticism in general. While...

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Comment on Guest Post 22: Doreen Landry Millichip on Bob Landry (b) by David...

Dear Mr. Coleman, Your research on Bob Landry is greatly appreciated. I discovered the work of Bob Landry by way of discovering Jack Albin in Los Angeles 1992-93. Both studied photography at Freemont...

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